the Mystery 909

by Aux 78

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03:09
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02:10
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03:28
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03:19
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Review By Everett Saucedo
Special to the El Paso Times

War is hell. But the sounds it makes can be pretty cool. "The Nerve," the first track off "The Mystery 909" by Aux 78, introduces itself with the rumblings of artillery exploding beyond the horizon. After the shelling ends, "The Nerve" pops itself into focus with a drum and bass riff a-la Nancy Sinatra that snaps along at a drill instructor's cadence beat.

War, rest, more war, chaos and eventually, peace; in one song, Aux 78, the solo project of local musician Nicholas Matta, proves that music can speak volumes without saying a word.

Going on his seventh year as Aux 78, Matta (who also performs in local band The Sea Legs) and "Mystery" will probably please fans of such instrumental-heavy bands such as Man ... Or Astroman?, Shadowy Men On a Shadowy Plant, and Southern Culture On The Skids. Genre fans, however, may not, as "Mystery" refuses to be pigeonholed into any one category.

A careful listener can pick out jazzy percussion beats, country steel guitars, surf rock and musical influences ranging from The Ventures to Angelo Badalamenti to The White Stripes, but these are merely ingredients to the mélange and not the final product.

Matta's ability to play instruments ranging from percussion toys to accordions shows, as he is single-handedly responsible for all the sounds heard on "Mystery."

This includes everything from guitars that ring like tubular bells guitars to art-house chic voiceovers that don't say much and are merely window-dressing for the music itself. The end result is music that can convey an amazing range of emotions and images, if the listener is willing to play along.

If "The Nerve" has you dodging AK-47 fire and R & R'ing in Thailand, the self-titled third track sucks you back to mysteries and horrors on the mainland, with a slow and deliberate rhythm riff overlain by a softly wailing guitar.

Also noteworthy is "Guns That Smoke," which takes a needed somber turn. It is a soft, melancholy tune which opens with the sounds of machines grinding against one another but shortly thereafter gives way to a simple four-beat drone as heavy as it is beautiful. It is also a great example of Matta's ability to infuse his music with emotion; if you were ducking cannonballs earlier, you are now picking up the pieces of your home in the aftermath of a hurricane.

One of the best surprises of "Mystery" is "Broken Bones," the only vocal song and Matta's stab at making a country song. "Broken Bones" overshoots the line-dancing country of Garth Brooks or Tim McGraw and squarely hits the drunk-mean and sad honkey-tonk that Hank Williams Sr. and Jim Ed Brown's row of fools on a row of stools inhabit. The lyrics of "Broken Bones' may not sound overtly country, but there's no doubt its soul is.

"Mystery" ends on a kitchy accordion-driven tune that seems pulled from the closet of French junk culture. It's actually a happy little song that's cute on its own but seems out of step with the rest of the album.

Either way, "Mystery" is a stellar example of Matta's abilities both as musician and communicator.


Written, Arranged, Performed and Produced by Aux.78 / Nicholas Matta

Recorded at The Mystery 909 Recording Facility, El Paso TX 10/2002-03/2003

2003.AppleLeg Music

credits

released March 3, 2003

Aux.78 / Nicholas Matta : Guitar, Bass, Drums, Percussion, Programming, Clarinet, Keyboards, Kazoo, Accordian, Trumpet, Vocals, Sampling

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Aux 78 Portland, Oregon

Aux.78 (nicholas matta) is a solo recording artist, musician, sound designer and live performer based in Portland, Oregon. Aux.78's music is diverse and eclectic. Whether setting the scene with vocal works or electronic wizardry, Matta is a master of emotion and tone painting. Aux.78 is not set to genre and takes pleasure in blurring those lines. ... more

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Track Name: Cheap Missiles
Red and brown war
Blue and red war
Pink and purple war

I’ll just feed this back to you to perpetuate this crap
Dirty bombs and ties, dirty bombs and ties
Experts picking their noses staring at the screens
“Please turn around”
The buzzer beeps
Where is my steel?
I want a metal spleen

Everything is terror
Everyone is terror
Human nature
Sand and Spit
Steel and Glass

Cheap missiles, those Nike missiles
Cheap missiles, those Nike missiles

Red and brown war
Blue and red war
Pink and purple war
Track Name: Intelligence
I'm on the inside looking on the outside

You're on the inside looking on the outside

I'm on the outside looking on the inside
Track Name: Broken Bones
after the dark here, we have the nerve to call this sweet
it’s like standing tall and covered in this deepening water

those deviants, they call on me
and hold broken bones
and after all the sea feels me and adds apathy

and after all is done, we throw it out and call out heads
we’re falling down and never care which way we falter

because deviants, they call on me
and hold broken bones
and after all that sky feels me and adds imagery
Track Name: Gumbo
1942
core on the march as
active as ants as
civil as idealistic as
less water than imaginable, hope
is as passive aggressive as
more, but
more boys and girls don’t choose. togetherness
is found in direct nonviolent,
less aggressive freedom
labor as a measure
racial sit-ins as seeds
workers separate equal
strikes in the landscape of red
Warhol pictures including dogs in the
courts of human thought
brown youths as active as their
educational participation
separate Indians
equally looking for social equality
schools
integration
Jim
Crow
Parks
buses
black
arrested
boycott
rights